[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"$fnQzXMbcf7_MBlB8V1FuaNi0NFniiazid8Q2_R6Oxvr0":3,"$f6qonSrgDWGhvO0yE1Zg6d2WFBMtRzq60mvFPJ8bjla4":38},{"id":4,"title":5,"slug":6,"date":7,"content":8,"excerpt":9,"featuredImage":10,"categories":15,"tags":24},778,"Robin Hammond - photojournalist","robin-hammond-photojournalist","2018-06-12T19:49:13","\n\u003Cp>Robin Hammond is the recipient of the W.Eugene Smith Fund for Humanistic Photography, a World Press Photo prize, the Pictures of the Year International World Understanding Award and four Amnesty International awards for Human Rights journalism.\u003C\u002Fp>\n\n\n\n\u003Cp>He has dedicated his career to documenting human rights and development issues around the world through long-term photographic projects.\u003C\u002Fp>\n\n\n\n\u003Cp>Robin won the FotoEvidence Book Award for Documenting Social Injustice which resulted in the publication of his long term project on mental health in Africa, Condemned. The same body of work was exhibited at the photojournalism festival Visa Pour l’Image in France, and in New York, Italy, Belgium.\u003C\u002Fp>\n\n\n\n\u003Cp>Winning the Carmignac Gestion Photojournalism Award allowed him to continue his long-term photo project on life in Zimbabwe under the rule of Robert Mugabe. The work culminated in an exhibition in Paris and the publication of his first book ‘Your Wounds Will Be Named Silence’. The work went on to be exhibited at Le Recontres in Arles, France and in Milan, Rome, and Cologne and was featured in National Geographic Magazine.\u003C\u002Fp>\n\n\n\n\u003Cp>Robin has made a wide variety of other photographic bodies from the impact of climate change on Pacific Island communities to rape used as a weapon of war in Congo and Bosnia, to the poisoning of ecosystems by multi-nationals in developing countries, to the rise of Africa’s middle class.\u003C\u002Fp>\n\n\n\n\u003Cp>Born in New Zealand, Robin has lived in Japan, the United Kingdom, South Africa and France.\u003C\u002Fp>\n","Robin Hammond is the recipient of the W.Eugene Smith Fund for Humanistic Photography, a World Press Photo prize, the Pictures of the Year International World Understanding Award and four Amnesty International awards for Human Rights journalism. He has dedicated his career to documenting human rights and development issues around the world through long-term photographic projects. Robin won the FotoEvidence Book",{"src":11,"alt":12,"width":13,"height":14},"https:\u002F\u002Fphoto.madsnorgaard.net\u002Fwp-content\u002Fuploads\u002F2018\u002F06\u002FRobin_Hammond-002.jpg","",3543,2362,[16,20],{"id":17,"name":18,"slug":19},37,"Portrait","portrait",{"id":21,"name":22,"slug":23},22,"News","news",[25,29,32,34],{"id":26,"name":27,"slug":28},38,"Robin Hammond","robin-hammond",{"id":30,"name":31,"slug":31},39,"photojournalist",{"id":33,"name":19,"slug":19},40,{"id":35,"name":36,"slug":37},41,"national geographic","national-geographic",{"term":39,"posts":41,"total":40,"totalPages":241},{"id":17,"name":18,"slug":19,"description":12,"count":40},5,[42,106,143,191],{"id":43,"title":44,"slug":45,"date":46,"excerpt":47,"featuredImage":48,"categories":52,"tags":74},1160,"COSATU march in Cape Town","cosatu-march-in-cape-town","2018-07-05T13:02:41","Approximately 10.000 people gathered in Keizersgracht Street on the 6th of August for a march to Parliament. This was done to protest against the rising electricity, fuel and food prices. The protesters expressed their lack of faith in the government's ability to fix the country's economic problems. Having failed to meet the peoples needs for so long, the politicians are",{"src":49,"alt":50,"width":51,"height":51},"https:\u002F\u002Fphoto.madsnorgaard.net\u002Fwp-content\u002Fuploads\u002F2018\u002F07\u002FWebsite-additional-mads-norgaard-0027-1.jpg","Copyright © Mads Norgaard - madsnorgaard.net\u002Fcopyright",null,[53,56,57,61,65,66,70],{"id":54,"name":55,"slug":55},77,"feature",{"id":17,"name":18,"slug":19},{"id":58,"name":59,"slug":60},30,"Community","community",{"id":62,"name":63,"slug":64},29,"Local","local",{"id":21,"name":22,"slug":23},{"id":67,"name":68,"slug":69},21,"South Africa","south-africa",{"id":71,"name":72,"slug":73},3,"Storytelling","storytelling",[75,78,81,84,87,91,94,98,102],{"id":76,"name":77,"slug":77},89,"march",{"id":79,"name":80,"slug":80},86,"protest",{"id":82,"name":83,"slug":83},87,"people",{"id":85,"name":86,"slug":86},88,"activism",{"id":88,"name":89,"slug":90},82,"COSATU","cosatu",{"id":92,"name":93,"slug":93},83,"demonstration",{"id":95,"name":96,"slug":97},84,"rising cost","rising-cost",{"id":99,"name":100,"slug":101},85,"living wage","living-wage",{"id":103,"name":104,"slug":105},27,"cape town","cape-town",{"id":107,"title":108,"slug":109,"date":110,"excerpt":111,"featuredImage":112,"categories":115,"tags":120},1052,"Photographer and Artist Omar Badsha is recognised with a National Order","photographer-and-artist-omar-badsha-is-recognised-with-a-national-order","2018-07-01T16:42:37","Mr. Badsha received a Ministerial Commendation from Minister Marais at the 2017\u002F18 Cultural Affairs Awards, hosted by the Department of Cultural Affairs and Sport. Besides his work as a photographer and artist, Mr. Badsha founded the South African History Online (SAHO) website in 1999, which has become one of Africa’s largest history websites. The website is a non-partisan people's history project and",{"src":113,"alt":114,"width":14,"height":13},"https:\u002F\u002Fphoto.madsnorgaard.net\u002Fwp-content\u002Fuploads\u002F2018\u002F07\u002Fomar_badsha_2015-0011.jpg","Portrait of Omar Badsha",[116,117,118,119],{"id":17,"name":18,"slug":19},{"id":21,"name":22,"slug":23},{"id":67,"name":68,"slug":69},{"id":71,"name":72,"slug":73},[121,125,129,132,136,139],{"id":122,"name":123,"slug":124},78,"national order","national-order",{"id":126,"name":127,"slug":128},79,"south african history online","south-african-history-online",{"id":130,"name":131,"slug":131},80,"saho",{"id":133,"name":134,"slug":135},81,"mads norgaard","mads-norgaard",{"id":137,"name":138,"slug":138},74,"photographer",{"id":140,"name":141,"slug":142},61,"Omar Badsha","omar-badsha",{"id":144,"title":145,"slug":146,"date":147,"excerpt":148,"featuredImage":149,"categories":153,"tags":156},1007,"Portrait: Roger Young for HAYO magazine","portrait-roger-young-for-hayo-magazine","2018-07-01T14:47:21","At 17 years old Roger Young packed up his camera and ran away from the suburb of Westville, near the South African city of Durban. He traveled up the coast to Cape Town, where he has lived intermittently in the years since, establishing an award-winning career as a filmmaker. After a family tragedy struck in his late twenties, Roger spent",{"src":150,"alt":12,"width":151,"height":152},"https:\u002F\u002Fphoto.madsnorgaard.net\u002Fwp-content\u002Fuploads\u002F2018\u002F07\u002FRoger-for-HAYO-mag-0001.jpg",1882,1196,[154,155],{"id":17,"name":18,"slug":19},{"id":67,"name":68,"slug":69},[157,161,164,168,172,176,180,183,184,185,188],{"id":158,"name":159,"slug":160},68,"Joanna Riquett","joanna-riquett",{"id":162,"name":163,"slug":163},75,"production",{"id":165,"name":166,"slug":167},69,"Roger Young","roger-young",{"id":169,"name":170,"slug":171},70,"Interview","interview",{"id":173,"name":174,"slug":175},71,"Hayo Magazine","hayo-magazine",{"id":177,"name":178,"slug":179},72,"Director","director",{"id":181,"name":182,"slug":182},73,"writer",{"id":137,"name":138,"slug":138},{"id":103,"name":104,"slug":105},{"id":186,"name":187,"slug":187},10,"film",{"id":189,"name":190,"slug":69},23,"south africa",{"id":192,"title":193,"slug":194,"date":195,"excerpt":196,"featuredImage":197,"categories":202,"tags":206},962,"Reflecting on Goldblatt - from Gugs to Rhodes","reflecting-on-goldblatt-from-gugs-to-rhodes","2018-06-25T16:42:21","David Goldblatt’s photographs are uncanny in their capacity to highlight South African un-ease, suggests Neelika Jayawardane. Reflecting on a re-visitation of his early oeuvre, Jayawardane and Goldblatt discuss the photographs’ visual elaboration of the unspeakable: racial intimacy and fear, suppressed sexuality, the face of power, and – most taboo of all – a tension between responsibility and disavowal engendered in",{"src":198,"alt":199,"width":200,"height":201},"https:\u002F\u002Fphoto.madsnorgaard.net\u002Fwp-content\u002Fuploads\u002F2018\u002F06\u002FDavid-Goldblatt-0001.jpg","David Goldblatt observing as the statue of Rhodes fell at University of Cape Town.",2000,1333,[203,204,205],{"id":17,"name":18,"slug":19},{"id":21,"name":22,"slug":23},{"id":67,"name":68,"slug":69},[207,211,214,218,222,223,227,231,235,238],{"id":208,"name":209,"slug":210},62,"documentary photography","documentary-photography",{"id":212,"name":213,"slug":213},63,"apartheid",{"id":215,"name":216,"slug":217},59,"M. Neelika Jayawardane","m-neelika-jayawardane",{"id":219,"name":220,"slug":221},60,"Returns and Elisions","returns-and-elisions",{"id":140,"name":141,"slug":142},{"id":224,"name":225,"slug":226},54,"David Goldblatt","david-goldblatt",{"id":228,"name":229,"slug":230},55,"Rhodes must fall","rhodes-must-fall",{"id":232,"name":233,"slug":234},56,"death of david goldblatt","death-of-david-goldblatt",{"id":236,"name":237,"slug":237},57,"biography",{"id":239,"name":240,"slug":240},58,"obituary",2]