[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"$f_ij-2YiB1gdRnsHf_h2aQtfh-dsFexAh1hBI9oL0MPI":3},{"term":4,"posts":9,"total":8,"totalPages":8},{"id":5,"name":6,"slug":6,"description":7,"count":8},58,"obituary","",1,[10],{"id":11,"title":12,"slug":13,"date":14,"excerpt":15,"featuredImage":16,"categories":21,"tags":34},962,"Reflecting on Goldblatt - from Gugs to Rhodes","reflecting-on-goldblatt-from-gugs-to-rhodes","2018-06-25T16:42:21","David Goldblatt’s photographs are uncanny in their capacity to highlight South African un-ease, suggests Neelika Jayawardane. Reflecting on a re-visitation of his early oeuvre, Jayawardane and Goldblatt discuss the photographs’ visual elaboration of the unspeakable: racial intimacy and fear, suppressed sexuality, the face of power, and – most taboo of all – a tension between responsibility and disavowal engendered in",{"src":17,"alt":18,"width":19,"height":20},"https:\u002F\u002Fphoto.madsnorgaard.net\u002Fwp-content\u002Fuploads\u002F2018\u002F06\u002FDavid-Goldblatt-0001.jpg","David Goldblatt observing as the statue of Rhodes fell at University of Cape Town.",2000,1333,[22,26,30],{"id":23,"name":24,"slug":25},37,"Portrait","portrait",{"id":27,"name":28,"slug":29},22,"News","news",{"id":31,"name":32,"slug":33},21,"South Africa","south-africa",[35,39,42,46,50,54,58,62,66,69],{"id":36,"name":37,"slug":38},62,"documentary photography","documentary-photography",{"id":40,"name":41,"slug":41},63,"apartheid",{"id":43,"name":44,"slug":45},59,"M. Neelika Jayawardane","m-neelika-jayawardane",{"id":47,"name":48,"slug":49},60,"Returns and Elisions","returns-and-elisions",{"id":51,"name":52,"slug":53},61,"Omar Badsha","omar-badsha",{"id":55,"name":56,"slug":57},54,"David Goldblatt","david-goldblatt",{"id":59,"name":60,"slug":61},55,"Rhodes must fall","rhodes-must-fall",{"id":63,"name":64,"slug":65},56,"death of david goldblatt","death-of-david-goldblatt",{"id":67,"name":68,"slug":68},57,"biography",{"id":5,"name":6,"slug":6}]