[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"$ftIm3IRGSy5pac1pD1h-P96IQ7BvlDewTU9KlJZ0oZXA":3},{"term":4,"posts":10,"total":9,"totalPages":9},{"id":5,"name":6,"slug":7,"description":8,"count":9},55,"Rhodes must fall","rhodes-must-fall","",1,[11],{"id":12,"title":13,"slug":14,"date":15,"excerpt":16,"featuredImage":17,"categories":22,"tags":35},962,"Reflecting on Goldblatt - from Gugs to Rhodes","reflecting-on-goldblatt-from-gugs-to-rhodes","2018-06-25T16:42:21","David Goldblatt’s photographs are uncanny in their capacity to highlight South African un-ease, suggests Neelika Jayawardane. Reflecting on a re-visitation of his early oeuvre, Jayawardane and Goldblatt discuss the photographs’ visual elaboration of the unspeakable: racial intimacy and fear, suppressed sexuality, the face of power, and – most taboo of all – a tension between responsibility and disavowal engendered in",{"src":18,"alt":19,"width":20,"height":21},"https:\u002F\u002Fphoto.madsnorgaard.net\u002Fwp-content\u002Fuploads\u002F2018\u002F06\u002FDavid-Goldblatt-0001.jpg","David Goldblatt observing as the statue of Rhodes fell at University of Cape Town.",2000,1333,[23,27,31],{"id":24,"name":25,"slug":26},37,"Portrait","portrait",{"id":28,"name":29,"slug":30},22,"News","news",{"id":32,"name":33,"slug":34},21,"South Africa","south-africa",[36,40,43,47,51,55,59,60,64,67],{"id":37,"name":38,"slug":39},62,"documentary photography","documentary-photography",{"id":41,"name":42,"slug":42},63,"apartheid",{"id":44,"name":45,"slug":46},59,"M. Neelika Jayawardane","m-neelika-jayawardane",{"id":48,"name":49,"slug":50},60,"Returns and Elisions","returns-and-elisions",{"id":52,"name":53,"slug":54},61,"Omar Badsha","omar-badsha",{"id":56,"name":57,"slug":58},54,"David Goldblatt","david-goldblatt",{"id":5,"name":6,"slug":7},{"id":61,"name":62,"slug":63},56,"death of david goldblatt","death-of-david-goldblatt",{"id":65,"name":66,"slug":66},57,"biography",{"id":68,"name":69,"slug":69},58,"obituary"]